Antonina Klokova
PhD, M.A, Postdoc
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Research interests
Primary academic affiliation
Other academic affiliations
- klokova@mailbox.org
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Research interests
- History of Soviet music, Holocaust in (Soviet) music, musical emigration and exile studies
Primary academic affiliation
- Independent Researcher
Other academic affiliations
- Berlin University of the Arts
- Master of Arts in Romance Studies, Musicology and History, University of Bremen,
- Doctorate (PhD) in Historical musicology, Berlin University of the Arts
- Adjunct lecturer at Berlin University of the Arts
- 2013-2017: Research fellow at the Chair for the History of Jewish music at University of Music FRANZ LISZT Weimar
- 2009-2012: Freelancing in OSTEUROPA journal, German Association for East European Studies (DGO), Center for Digital Systems (CeDiS) at Free University of Berlin
Main monographs
Main papers
- Werke in memoriam. Holocaust-Verarbeitung im Instrumentalwerk Mieczysław Weinbergs im Kontext der sowjetischen Musik, Hofheim 2023.
- Mieczysław Weinberg (1919–1996). Stranizy biografii. Pis’ma [Biography pages. Letters], Moskau 2017.
Main papers
- Schostakowitsch in der späteren Sowjetunion und in postsowjetischer Zeit, in: Dorothea Redepenning, Stefan Weiss (ed.): Schostakowitsch-Handbuch, Stuttgart (in print).
- Biographical texts about Mieczysław Weinberg. Pecularities and challenges of biography as a research method, in: David Fanning, Michelle Assay (ed.): Mieczysław Weinberg: Between East and West, London (in print).
- Nesostojavšajasja postanovka opery „Passažirka“ v 1968 godu: kto vinovat? [An Unrealized Staging of Weinberg’s Oper „The Passenger” in 1968: Whose Fault?]: Musykal’naya akademija 2/2020, pp. 116–131. (in Russian)
- Mieczysław Weinberg – ein Klassiker der sowjetischen jüdischen Musik?, in: Jascha Nemtsov, Antonina Klokova (ed.): Einbahnstraße oder „die heilige Brücke“? Jüdische Musik und die europäische Musikkultur, Studien und Quellen zur jüdischen Musikkultur, Vol. 14, Harrassowitz, Wiesbaden 2016, pp. 253–271.
- „Meine moralische Phlicht“. Mieczysław Weinberg und der Holocaust, in: Die Macht der Musik. Mieczysław Weinberg: eine Chronik in Tönen. [= Osteuropa 7/2010], pp. 173–182.
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As you can see from the list of the projects of our association, the scope of our research is quite broad: from historical studies that shed light on the origins of current events to interdisciplinary research in political philosophy and political theory, epistemology and sociology, bioethics and medical humanities, philosophy of science and many others.
There are no restrictions. We welcome the participation of colleagues from any country.
We conduct our activities in various languages, mainly French, Russian and English.
No, IPHI was created as an international association with the objective of cooperation between researchers from different countries. IPHI will carry out projects that touch on all areas of humanities and social sciences. The association brings together researchers from different countries. The main languages of IPHI research projects are French, Russian, English and German, but other languages are also possible.
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We welcome participation in our events and projects and are always open to new proposals. At the same time, we do not oblige members to participate; it is their voluntary decision.
We will be delighted to hear from Ukrainian colleagues who wish to join our projects and events. We treasure the cooperation and the opportunity to look at topical issues from different angles.
We cooperate with colleagues in Russia. However, we do not publish information about them on our website to avoid exposing them to additional risks.
In the future, we will prepare separate pages in the respective languages for projects concerning Ukraine, Belarus and other countries.
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We welcome you to join the Independent Institute of Philosophy Association if you share our values of liberty, oppose Russia's invasion of Ukraine, are eager to promote the development of critical philosophical thought, and are open to international collaboration in the social sciences and humanities.
